
Ma Tit Fille - Buckwheat Zydeco
Now, there's also another side of Mardi Gras ... Brazil style (carnival), tee hee hee!

Bellini - Samba de Janeiro
A place to enjoy good music, drink in some knowledge, and watch a little sports. Where there is always food for thought, topped with choice grillings of right wing talking points.


Almost all of the music played during Rio Carnival is samba. It is a uniquely Brazilian music originating from Rio and a dance form that was invented by the poor Afro-Brazilians. The word samba comes from the Angolan world semba referring to a type of ritual music. The word had a variety of meanings to the African slaves brought to Brazil during the 17th, 18th and 19th centuries. It meant to pray or invoke the spirits of the ancestors and the gods of the African Pantheon. As a noun, it could mean a complaint, a cry, or something like "the blues".

Although Carnival (Carnaval in Portuguese) is celebrated in towns and villages throughout Brazil and other Catholic countries, Rio de Janeiro has long been regarded as the Carnival Capital of the World. The Rio Carnaval is not only the biggest Carnival, benchmark against which every other carnival is compared but also one of the most interesting artistic events on the Globe. Pretty much everyone has heard of the Rio Carnaval. Foreign visitors to it alone number around 500,000 every year.


HONOLULU - So many people were expected Saturday for the sunset memorial service on the beach at Waikiki for legendary Hawaiian crooner Don Ho that the city arranged extra buses, parking and traffic control.
As many as 25,000 people were likely to attend, which city officials said would make it one of the largest crowds ever in Waikiki.



Through this all, black culture never declined in Louisiana. In fact, New Orleans became home to blacks in a way, perhaps, that few other American cities have ever been. Dillard University and Xavier University became two of the most outstanding black colleges in America; and once the battles of desegregation had
been won, black New Orleanians entered all levels of life, building a visible middle class that is absent in far too many Western and Northern American cities to this day.
The influence of blacks on the music of the city and the nation is too immense and too well known to be described. It was black musicians coming down to New Orleans for work who nicknamed the city "the Big Easy" because it was a place where they could always find a job. But it's not fair to the nature of New Orleans to think of jazz and the blues as the poor man's music, or the music of the oppressed.
Something else was going on in New Orleans. The living was good there. The clock ticked more slowly; people laughed more easily; people kissed; people loved; there was joy. Which is why so many New Orleanians, black and white, never went north. They didn't want to leave a place where they felt at home in neighborhoods that dated back centuries; they didn't want to leave families whose rounds of weddings, births and funerals had become the fabric of their lives. They didn't want to leave a city where tolerance had always been able to outweigh prejudice, where patience had always been able to outweigh rage. They didn't want to leave a place that was theirs.
[snip]
But to my country I want to say this: During this crisis you failed us. You looked down on us; you dismissed our victims; you dismissed us. You want our Jazz Fest, you want our Mardi Gras, you want our cooking and our music. Then when you saw us in real trouble, when you saw a tiny minority preying on the weak among us, you called us "Sin City," and turned your backs. Well, we are a lot more than all that. And though we may seem the most exotic, the most atmospheric and, at times, the most downtrodden part of this land, we are still part of it. We are Americans. We are you.